instal the last version for ios Thor: Ragnarok

In many ways, Waititi neatly fits the mold of a lively director plucked from indiedom and placed at the center of a franchise. Sometimes, as with Patty Jenkins on “Wonder Woman,” the spark delivered by a new director can reinvigorate an entire cinematic universe and stave off franchise fatigue other times, as with Josh Trank’s disastrous “Fantastic Four,” the move puts a small-movie director in a position to fail more hugely than anyone ever imagined possible. Studios hire these indie auteurs to deliver (at a reasonable price, and in a way they feel they can control) a little shot of cool to a staid or stagnant property. Waititi, 42, is just the latest in a long string of upstart directors - like Colin Trevorrow (“Jurassic World”), James Gunn (“Guardians of the Galaxy”) and Gareth Edwards (“Godzilla”) - handed the keys to some of the most expensive entertainment machines in the world. “You know,” Waititi said, feigning amazement, “they give this to you for free.” He shook his head.

“I’ll need to have a shave,” he said, “after the coffee.” He gestured at his cup. Waititi himself would be performing opposite the star in a motion-capture suit, which visual effects would turn into a character named Korg. That day, Waititi was shooting a scene with Jeff Goldblum. “Every morning,” he confided, “I get in the car and think, Man, they still don’t know that I don’t know what I’m doing.” He laughed, a high-pitched giggle. He was three months into the shoot for this $180 million superhero movie based at the massive Village Roadshow Studios in Queensland, Australia, and he enjoyed acting like someone still not quite used to his role. It was 394 days before the scheduled release of “Thor: Ragnarok,” and at 4:30 in the morning, the movie’s director, Taika Waititi, was already dressed for another long day: knit cap, dapper wool shirt buttoned up to the neck, cup of coffee in hand.

Instal the last version for ios Thor: Ragnarok